Why write? Is writing making?

What is telling? What is showing?

What are clichés in writing, and how do I subvert them?

Are artists' writings taken seriously?

How do I know when to stop writing?

How do I start writing?


Making the Written Word will investigate and encourage the use of writing as a relevant outlet of expression at all stages of artists’ and designers’ studio practice. Each of the four sessions will aim to answer specific questions through readings, writing exercises, and discussion. This blog is a forum for the discussion generated and a place to leave references for each other.




Wednesday, March 30, 2011

Seneca: Moral Epistles on Friendship

Epistle 3: On True and False Friendship
You have sent a letter to me through the hand of a "friend" of yours, as you call him. And in your very next sentence you warn me not to discuss with him all the matters that concern you, saying that even you yourself are not accustomed to do this; in other words, you have in the same letter affirmed and denied that he is your friend. Now is you used this word of ours in the popular sense, and called him "friend" in the same way in which we speak of all candidates for election as "honourble gentlemen," and as we greet all men whom we meet casually, if their names slip us for the moment, with the salutation "my dear sir,"-so be it. But if you consider any ma a friend whom you do not trust as you trust yourself, you are mightily mistaken and you d not sufficiently understand what true friendship means...
You desire to know whether Epicurus is right when, in one of his letters, he rebukes those who hold that the wise man is self-sufficient and for that reason does not stand in need of friendships. This is the objection raised by Epicurus against Stilbo and those who believe that the Supreme Good is a soul which is insensible to feeling. We are bound to meet with a double meaning if we try to express the Greek term "lack of feeling" summarily, in a single word, rendering it by the Latin word impatientia...

When I urge you so strongly to your studies, it is my own interest which I am consulting; I want your friendship, and it cannot fall to my lot unless you proceed, as you have begun, with the task of developing yourself. For now, although you love me, you are not yet my friend. "But," you reply, "are these words of different meaning?" Nay, more, they are totally unlike in meaning. A friend loves you, of course; but one who loves you is not in every case your friend. Friendship, accordingly, is always helpful, but love sometimes even does harm, Try to perfect yourself, if for no other reason, in order that you may learn how to love....

Click on the links to read the entire writing translated by Richard M. Gummere.

Tuesday, March 22, 2011

Marriage & Relationships from a 20-Something's Perspective

“Some truth: a marriage is a story that is told by two people and teamwork isn’t exactly a natural thing for many of us. I do believe in marriage and I do believe in love, but I also believe that it is unwise to expect anything from anybody. Expiration dates are not only inherent but also necessary borders between life and death.”

Excerpt from Marriage & Relationships from a 20-Something's Perspective, written by Caitlin Stewart Truman.

Monday, February 28, 2011

Poetry with a square: Eclat, by Caroline Bergvall


I got this reading in my contemporary poetry class, and I realized that it all somehow ends up dealing a square. We had discussed writing about squares in relation to one of Bernadette Mayer's writing exercises. In this case, the poetry takes place inside and outside of the square, sometimes breaking the boundaries or interrupting them. Each image changes the mood of the page.

It seems to be about inside vs. outside and fear of transitional spaces?

Eclat, by Caroline Bergvall

Saturday, February 19, 2011

Also,

I have been nerding out on Gertrude Stein lately for my thesis, here is one reason why:

To finish a thing, that is to keep on finishing a thing, that is to be one going on finishing so that something is a thing that any one can see is a finished thing is something. To finish a thing so that any one can know that that thing is a finished thing is something.

To make a pretty thing so that any one can feel that the thing is a pretty thing is something.

To begin a thing that any one can see is begun is something. To begin a pretty thing so that any one can see that a pretty thing has been begun is something.

p. 73-74 Lectures in America, Gertrude Stein

SL

If you are interested in Sol Lewitt, here is a great interview:

http://bombsite.com/issues/85/articles/2583

Brilliant

http://www.carolinebergvall.com/projects-sound.php

Listen to 'Ride', OH MY HEAVENS IT IS AMAZING.

Jessica Lott on Sophie Calle

http://www.frieze.com/writersprize/category/wp_2009/